Radical and confrontational industrial power electronics drawing inspiration from the genre’s classics, such as Fire in The Head, Control, Slogun, and Genocide Organ. An offensive of noise in its best guise, a well-polished and powerful sound, structured noise plus an adequate charge of emotional aggression. The project, originally from Łódź but based in the UK since 2012, is an execution of the requirement of day-to-day self-defence. The sonic assault serves the purpose of defence against the media, popular culture, lies on the Internet, and other threats of today’s world. Kevlar is an intrusive wall of sound and a demonstration of uncompromising power in times when weakness is considered the norm.